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TIME: Almanac of the 20th Century
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TIME, Almanac of the 20th Century.ISO
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1930
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38picass.002
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<text>
<title>
(1930s) Art:Picasso
</title>
<history>TIME--The Weekly Newsmagazine--1930s Highlights</history>
<article>
<source>Time Magazine</source>
<hdr>
November 4, 1938
ART
Picasso
</hdr>
<body>
<p>London Greys
</p>
<p> Only one living artist has deliberately matched his art
against the superhuman mayhem of air bombing. Picasso did it for
the Spanish Government building at last year's Paris Exposition
with a 22-ft. by 10-ft. mural, Guernica, which nobody enjoyed and
nobody forgot. Last month this painting and 67 auxiliary sketches
were exhibited at London's New Burlington Galleries, quickly
became the sensation of the opening season.
</p>
<p> Done in grey, with staring whites and blacks, Guernica had a
visceral effect on Londoners who had just got over the war scare,
an esthetic kick for the critics. The Time's Eric Newton noted
that in his studies for a screaming woman Picasso had drawn each
feature from the most expressive angle (eyes from the front, nose
from the side, nostrils from below) for intensity. The Observer's
Jan Gordon observed that the big composition employed Abstraction
in its jagged design, Expressionism in its mangled figures,
Surrealism in its eerie details.
</p>
<p> Last week London's renewed interest in many-minded Pablo
Picasso was whetted by a big, swank show of paintings from the
School of Paris at the spacious old Lefevre Galleries off St.
James's Square. Eight Picassos of different periods (he has had
eight so far: Realist, Toulouse-Lautrec, Blue, Rose, African,
Cubistic, Neo-Classical and Surrealistic) were surrounded by
canvases by Bauchant, Bonnard, Braque, Dali, Derain, Dufresne,
Dufy, La Fresnaye, Leger, Lurcat, Matisse, Miro, Modigliani,
Pascin, Redon, Rousseau, Rouault, Segonzac, Soutine, Utrillo,
Vuillard.
</p>
<p> Shown for the first time in London was the only known
portrait of Picasso, painted at the height of the Cubist movement
by one of Cubism's great saints and Picasso's great friend, the
late Jose Gonzales or "Juan Gris" (John Grey). This ex-
engineering student said, "The only possible pictorial technique
is a sort of flat-colored architecture," used few brilliant
colors, brown and grey.
</p>
<p> While homage was thick in London, Paris burbled over
Picasso's latest joke. Sitting as usual in the evening at the
Cafe de Flore with a chic woman, the forelocked Spaniard who has
the Midas touch was joined by three picture dealers, then by
three more. He picked up an empty cigarette package, cryptically
manipulated it under the table, finally brought out a little
figurine of a dancer with the remark: "Well, there's the latest
Picasso." Amid a chorus of admiring compliments, artist and girl
friend departed. The six picture dealers were just on the point
of springing as one man for the latest Picasso when the girl
returned, picked it up, apologized for having left it, swept away
to where the grinning painter watched from the door.
</p>
</body>
</article>
</text>